I. for the haunt
portable, multiplicitous, adhesive ghosts of Kim Ki-taek appear, with their class-based frowning, beyond his story Parasite (2019). 
he is invited to continue to haunt from his place in the driver’s seat, staged with a different backseat: East Asianness, as told through a bubble tea powered gentrification of Toronto's Chinatown and ‘diverse’ influencer consumerism. 
for the haunt
peel, attach, take a photo
have a photo? send here to join the haunt:
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